Khuda Haafiz: Chapter II box office day 3: Vidyut Jammwal's film fails to up its game post the first weekend

Vidyut Jammwal and Shivaleeka Oberoi ’s Khuda Haafiz: Chapter II- Agni Pariksha was released into the theatres this Friday (July 8). However, the movie failed to strike a chord with the audience when it came to the box office performance. Now, the collections of the film still continue to be poor even after the first weekend.

According to a news report by Amar Ujala, Khuda Haafiz: Chapter II- Agni Pariksha had minted Rs 2.20 crore on its third day (July 10). Now the total collection of the Vidyut Jaamwal starrer stands at a mere Rs 5 crore after the first weekend which is quite a meager amount. The actioner also had a Hindi occupancy of 15.11 percent in the theatres.

Khuda Haafiz: Chapter II- Agni Pariksha had witnessed a poor opening of just Rs 1.25 crore. It had furthermore earned Rs 1.35 crore on its second day after which the total collections stood at Rs 3.05 crore. One only has to wait and see whether Vidyut Jammwal’s loyal fanbase and a little word of mouth can work favorably to lift the collection of the movie in the coming days.

Also Read: Khuda Haafiz: Chapter II box office day 1: Vidyut Jammwal's revenge film has a disappointing opening, mints Rs 1.5 crore 

Desimartini’s review for Khuda Haafiz: Chapter II- Agni Pariksha read, “However, Khuda Haafiz: Chapter II- Agni Pariksha could've been curated as an adrenaline-pumping revenge drama if only the predictable and unnecessary subplots could've been kept at bay. There is a character of a journalist played by Rajesh Tailang whose work is just to add preachy monologues on women's safety which does not act as a suitable catalyst to take the storyline forward at all. There are some menacing antagonists introduced in the form of Thakur ( Sheeba Chaddha ) and Rashid Qasai (Dibyendu Bhattacharya) but they are not developed at all as the movie progresses. There are countless stereotypical aspects around the subplots like corrupted police officers, criminals turning out to be a relative of a powerful figure, assassins easily breaking into the prison to try to kill the male protagonist, or the climax suddenly shifting to an international locale.”